Music Mondays: “Hosanna (Praise Is Rising)” by Brenton Brown and Paul Baloche

Music Monday posts highlight the music which touched my heart on Sunday. I pray the message of these songs will help us all to live in the spirit of worship all week long.

I haven’t highlighted any songs here for quite some time. I’ve long enjoyed this song, especially on Palm Sunday. We sang this yesterday at our church and so I thought I would highlight the song here today for my readers. May it help us meditate on the meaning of Passion week all week long.

Hosanna (Praise Is Rising)

by Brenton Brown and Paul Baloche

Verse 1:
Praise is rising
Eyes are turning to You
We turn to You
Hope is stirring
Hearts are yearning for You
We long for You

Pre-Chorus:
‘Cause when we see You
We find strength to face the day
In Your presence
All our fears are washed away
Washed away

Chorus:
Hosanna hosanna
You are the God who saves us
Worthy of all our praises
Hosanna hosanna
Come have Your way among us
We welcome You here Lord Jesus

Verse 2:
Hear the sound of
Hearts returning to You
We turn to You
In Your Kingdom
Broken lives are made new
You make us new

CCLI Song No. 4662491
© 2005, 2006 Integrity’s Hosanna! Music | Thankyou Music (Admin. by EMI Christian Music Publishing) | (Admin. by EMI Christian Music Publishing)

You can listen to the entire song by watching this video clip of a studio version of the song sung by Paul Baloche. Or you may be interested in this clip of a choral performance of the song. Paul Baloche tells the story behind the song here, on an mp3 interview, (which also includes the song after the interview).

The sheet music is also available online for free here: chord chart, lead sheet, or piano score. This link will take you to several versions of the song available for purchase from Amazon.com (you can get the CD or just the song).

Learn more about Paul Baloche and his music at leadworship.com, and be sure to also check out Benton Brown’s site as well: brentonbrown.com.

Q & A: What About the Arguments against CCM?

From time to time I get asked various questions through my blog contact form. I don’t always have time to respond. Sometimes, the question and my response seem appropriate to share with my wider blog audience. So I’ll begin a feature on my blog addressing reader’s questions. If you have any questions you would like me to consider for this feature, just contact me.

Reader’s Question:

I have read through your posts and the comments on music. I have found it very helpful as I have grown up with the fundamentalist view on music and it is extremely hard to shake. I have broadened my musical tastes, though, and have grown to be blessed by much of “ccm” and find it very God-honoring.

I know you are not an expert on the music debate but you have written much about it on this blog and have changed your own view point from the conservative to less so. Because of that I was wondering if you could answer a question I have. I feel like I can biblically counter much of the arguments thrown at me that condemn CCM. The one thing I have not yet been able to find an answer for is the argument that the beginnings of rock and roll as stated by those artists who wrote it was rebellion and illicit sex. I can say from my own experience that I am not driven to those things when listening. But I would be told that is personal experience and that that is a poor judge of truth. Their argument would be that the music itself is inherently rebellious and sensual as stated by even those who wrote it. I am curious as to if you have faced that and what you answer would be to that. It is hard to find people who I can discuss this with where I am currently so I appreciate your taking the time to read this and answer.

My Answer:

Great question. For starters, it should be said that fundamentalists don’t have a universal approach to music. I’ve experienced fundamentalist churches that utilize CCM music, or close to it, in their services but still preach from the KJB. Many fundamentalist and conservative evangelical churches shy away from using CCM music in public worship, but don’t have as big of a problem with people listening to that music for entertainment or personal edification. But I came from a wing of fundamentalism that was very anti-CCM and that marshaled the very arguments you shared in your question, so I’ll try to share how I would respond.

I should also state that I prefer CCM music for my personal music listening. I don’t like everything I hear equally, but I would rather focus on God in my music than listen to just secular music. Not all Christian music is created equal in its emphasis on a clear, Christ-focused lyrics and a melody and rhythm that complement that. But a lot does. Our church too, uses a blended form of worship where we sing older hymns as well as contemporary songs and choruses. Last week I led the worship at our church and we sang “Nothing but the Blood” and “Holy, Holy, Holy” right alongside “Revelation Song”, and “Worthy is the Lamb“. We also sang
Before the Throne of God Above“. We had an acoustic guitar, a keyboardist and an electric drum-set. Some songs the drums bowed out completely. (I help serve in a church plant, so we don’t have a permanent home – hence no piano).

Regarding the origins of rock and roll, I think you could say at one time the aura of rock and roll was all about sex. But that has changed over time. Tchaikovsky, along with other composers of classical music, had a horrendous personal story filled with homosexuality and aberrant behavior. Tchaikovsky’s music was described as “vulgar” and “supersensous”. But that stigma hasn’t survived to this day. So the association that rock and roll had with sex is something that can change over time. There was an association with free love and rebellion, too. But today it is just an art form. It’s something that plays at the dentist’s office and grocery store, not just at large, sexually-charged concerts.

Music without lyrical content, lacks the ability to communicate with specificity apart from cultural factors. A minor key means something sad to our culture, but something happy to others. When music is coupled with lyrics, then it has the ability, as a whole, to communicate with a degree of specificity that lets us judge it morally and accept or reject it.

There’s also the testimony you share about how you respond to CCM. It isn’t just an emotional response. There is a biblical principle that if you look at the fruits of something, you can know its character. The fruit in my life and my church of the best of CCM music with it’s God-ward focus, has been positive spiritual growth, not a tendency to carnality and sensuality.

I will also say that a person’s previous associations or personal prejudices will make it hard to adopt the style of CCM music for their own use. It can anyway. But for me, the music of 100+ years ago was just as sentimental and emotionally driven as today’s CCM. But the difference is I don’t respond to that, because it isn’t music of my generation. CCM does communicate and resonate with me powerfully, and has the ability to engage my whole being — emotions and heart and mind — in the power of the song. And that ability is something that CCM is using for good. I still think more emphasis on other emotions beyond praise and joy are needed in CCM music and music in the Church today. We need to bring back lament and Psalm-singing somehow. But I’m thankful for the blessing that CCM has brought to the church, particularly with the modern hymns and content-rich songs.

I’m sure my readers might be able to pipe in here and add their own thoughts. So, please take the time to share your thoughts here for the benefit of the one who asked the question, as well as to contribute to the conversation here for everyone’s benefit.

On Blended Worship: Intentionally Mixing Music Styles to the Glory of God

A recent comment concerned music styles and the worship wars. The three way split, envisioned by the commenter included the following.

1) Those want to do nothing but maintain the status quo, whether that is the contemporary style that is now familiar (with no new forms like Christian rap), or a traditional hymn-focused style — this group wasn’t going to budge from their stance.
2) Those who want to move back to the psalmic/hymnic tradition handed down to us from the early church — this group was further described as “Conservative Christianity”.
3) Those who allow for anything within the worship service.

What is missing from this list is “Blended Worship”. Why is it that we have to worry about being “comfortable” in our style? What about loving others and using styles that are accessible to others? Certain styles or songs may move me more than others, but they may hit other people where they are at more readily than they do for me. That has been my view of the issue for the last five years or more, now.

On this front, here are some quotes from documents on worship from my old church, Bethlehem Baptist Church, pastored by John Piper.

Because we value the importance of old and new , historic and current, we will pray that “the Holy Spirit may lead us into ways of worship that are continuous with the historic witness of worship given to the church throughout its history in the world, and at the same time He may lead us into the discovery of new forms and patterns that meet the needs of the people of our day” (R. Webber, “Worship Old and New” ). We will continue to be a “both/and” people that cherishes all the richness and freshness that comes from God.

Because we value the importance of both head and heart in our worship experience , we will continue to fill our minds with Biblical thinking about God, others, ourselves, and life, while at the same time putting renewed and greater emphasis on giving expression to our heart’s affections for God during worship.

Because we value being a singing people with growing appreciation for diverse expressions of love for God, we will use as many musical styles and forms as are helpful to worship and respond to God appropriately, as we seek the “significant range” of “at-homeness” referred to in Fresh Initiative #2. We will encourage whole-hearted participation by the entire congregation in all parts of the worship service, as the defining sound of Bethlehem worship becomes the singing voices of all God’s people praising Him.

Because we value increasing in a humble willingness to support others whose tastes are different than ours, we will put understanding above accusation, forbearance above faultfinding,and Biblical unity above the demand for uniformity. We will create opportunities for God’s reality to be conveyed more powerfully by learning to affirm the forms and styles that edify our brothers and sisters. Our relationships of love for each other will lead us to patiently support and rejoice with those who appreciate other styles, believing that God is able to meet us in the context of any Christ-exalting worship style.

Because we value growing in appreciation of both fine and folk elements in worship, we will strive to affirm the strengths and avoid the weaknesses inherent in both forms. We will worship within the range of gifts that God bestows on us, never compromising spiritual qualifications for aesthetic considerations, as we pursue undistracting excellence in spiritual leadership.

Because we value a determination to welcome people different from ourselves for the sake of Christ, we will continue to embrace God’s call for visible manifestations of love toward each other and our neighbors, providing opportunities before, during and after the service to reach out to those God would have us touch.

Because we value being more indigenous to the diversity of our metropolitan cultural setting, both urban and suburban, we will seek ways to communicate and worship that allow for a significant range of diversity in those whose worship is driven by a passion for the supremacy of God in all things.

Sunday morning worship is a corporate expression of our passion for the supremacy of God. We sense God’s leading to develop fresh expressions of this passion that 1) allow for a more focused and free lingering of love in the presence of the Lord; 2) reflect musically the diversity of our congregation and our metropolitan culture; 3) interweave the values of intense Godcenteredness and more personal ministry to each other in the power of the Holy Spirit. The following clarify our worship distinctives at Bethlehem:

We will continue with one common worship service format, “that with one accord [we] may with one voice glorify the God and Father of our Lord Jesus Christ.”

Our worship life will have a “defining center,” with significant range on either side of that center, resulting in a broader worship life than in the past that people can comfortably call “home.”

The mingling of historic and contemporary music No church or service can be all things to all people. But we do not value stylistic narrowness. We believe there are affections owing to God that different tunes and different texts and different genres may awaken better thanothers. We will strive to be who we are without exalting our own tastes as the standard of excellence or power. We will see God’s guidance in each worship setting to be both indigenous and stretching.

The last paragraph was excerpted from What Unites Us in Worship, and the other paragraphs were excerpted from Bethlehem’s Philosophy of Worship. There is a lot more in the philosophy document than what I’ve shared, but these sections focus on “blended worship”.

What do you think? Does your church emphasize a “blended worship” style?

Reformed Rap: The Sound of the Reformed Resurgence

Christianity Today recently highlighted Reformed Rap and Hip-Hop. Click here, to see a PDF of an entire page describing the key Reformed artists and this new phenomenon.

Some of the key rappers include: Trip Lee, currently a pastoral intern under Mark Dever at Capitol Hill Baptist Church; Marcus Gray (Flame), studying for a master’s degree in biblical counseling at Southern Seminary; Curtis Allen (Voice), an assistant pastor in Maryland; Shai Linne; Timothy Brindle; and LeCrae. All of these men are involved in ministry beyond their music, and all are affected deeply by Reformed Theology.

Here are a few excerpts from CT’s write-up.

SPOTLIGHT: Reformed Rap and Hip-Hop

Not since Maranatha! and contemporary praise emerged from Chuck Smith’s Calvary Chapel in the 1970s has a genre of Christian music become so associated with a specific stream of evangelicalism. And while not all Christian rappers are Reformed, nor do all see themselves as preachers and teachers working in a musical medium, the growing edge of the movement is explicitly taking its cues from Calvinist leaders. Several tracks have included direct references to (and even sermon clips from) John MacArthur, John Piper, C. J. Mahaney, and other pastors, and Curtis “Voice” Allen’s recent rap on the Westminster Catechism (with theologian D. A. Carson) went viral in March””as did his Heidelberg Catechism rap last October.

Is it the sound of Reformed resurgence?

While hip-hop has become a staple of young Reformed conferences, it’s not yet the dominant sound and it rarely appears in Reformed churches, said D. A. Carson. “I doubt that hip-hop with Reformed lyrics will ever become a primarily congregational corporate worship medium. It is a performance medium, and as such it is very useful for communicating with certain groups of people. . . . But that does not make it inappropriate for the more limited goals that it achieves quite strikingly at the moment.”

“The genre allows the rapper to cram loads of biblical and theological content in a single verse. I think we love hearing the Scripture “˜preached’ lyrically. Second, there is a “˜cool factor,’ which has helped bridge generational and cultural divides. But we can’t explain this without acknowledging the sovereign workings of God.” “” Thabiti Anyabwile, senior pastor of First Baptist Church of Grand Cayman

“Reformed hip-hop is a theologically driven masculinity movement. It says no to the prom songs to Jesus in CCM, no to whiny emo Christian music for hipsters, and no to empty, shallow, individualistic Christian music lacking theological content produced out of Nashville.” “” Anthony Bradley, associate professor of theology and ethics at The King’s College and author of Liberating Black Theology

Many conservative Christians, and fundamentalists in particular, refuse to endorse rap music or hip-hop of any kind. They cannot think of the genre without its cultural associations with a sinful lifestyle. But conservative evangelical leaders see the value in this music and the movement under-girding it. John Piper has interviewed LeCrae personally, and Desiring God has produced a three part video interview of him as well. Desiring God partnered with LeCrae’s Reach Records for a Don’t Waste Your Life tour. Mark Driscoll has interviewed LeCrae too, and Mark Dever interviewed Voice and Shai Linne (see the video here).

I’ve highlighted this musical phenomenon before (here and here), and I encourage you to listen to the music before rejecting it out right. I have a CD by Timothy Brindle entitled Killing Sin, which is basically John Owen’s On the Mortification of Sin translated into a new medium. Shai Linne has a CD called The Atonement which explains in depth the intricacies of limited atonement, substitutionary atonement and more. The music requires a high degree of lyrical intricacy, poetry and a command of language, not to mention an artistic sense. The songs these men are producing are excellent and filled with God honoring lyrics. Check out Reach Records or Lampmode Recordings for audio samples and lyrics.

I pray the Reformed Rap movement will continue to pick up steam and influence the hearts and minds of many people for Christ.