I’m currently reading through a new book from one of my favorite authors: O. Palmer Robertson. I’ve reviewed his The Christ of the Covenants and The Israel of God, which both were influential in forming my theology. My love for biblical theology certainly was kindled in part by Robertson’s works.
His new book is The Flow of the Psalms: Discovering Their Structure and Theology (P & R Publishing, 2015). It promises to be an important book that may transform and sharpen my understanding and appreciation for the book of Psalms. After just the first two chapters, I know this is going to be a rewarding read.
I wanted to share an excerpt from this book. Robertson explains how the first two Psalms form a doorway into the Psalter as a whole, and help to shape how we should interact with this important book.
The Two “Poetic Pillars”
Of primary importance in Psalter structure are the two “poetic pillars”that escort the reader into the temple of the book of Psalms, Psalms 1 and 2. Taken together, these two very brief psalms anticipate major themes that permeate all five books. First among these themes is the contrast between the righteous and the wicked as they are judged on the basis of their response to God’s revealed Torah, the law, the teaching, the instruction of the Lord….
The second major theme found in these two poetic pillars that runs throughout the book of Psalms is the person of God’s Messiah, his perpetual dynasty and his permanent dwellingplace….
So these two opening psalms present in condensed poetic fashion the overarching message of the Psalter. God’s law, the contrary responses of two groups of people to that law, and the outworking of the consequence of their responses are interrelated themes that permeate the Psalter. At the same time, two kings and two kingdoms merge into each other through the repeating message of the Psalms. David and his descendants will be established in a perpetual kingship at a particular locale. Yahweh rules over heaven and earth from eternity and throughout all time. Eventually, Messiah’s kingship must merge with Yahweh’s kingship so that the kingdoms of earth and heaven, of time and eternity, are one. This merger of the two kings and the two kingdoms permeates the theology of the Psalter. This perspective alone can explain how the concept of kingship in Israel continues long after kings no longer exist in the nation. It also explains how the kingship of Jesus as Messiah could merge so perfectly with God’s kingship over the world. (from pp. 13-15)
Pick up a copy of this book from any of the following retailers:
Volume 2 of Allen Ross’s superb commentary on Psalms does not disappoint. It matches the excellence of his first volume, which I previously reviewed. Ross distills the insights of decades of research and study on the book of Psalms into a single tool that can truly be a one-stop-shop for the busy pastor. When the final volume of this commentary set is made available (later this year), students of the Word will have over 2700 pages of seasoned analysis and accessible information on all 150 Psalms.
Having provided a detailed introduction in his first volume, this book starts right up with Psalm 42, and continues through Psalm 89. Ross covers each psalm separately. He begins with his own translation of the text complete with footnotes pointing out meaningful textual variants. The psalm’s composition and context is then briefly sketched and an exegetical analysis (or outline) is provided. Then comes a detailed verse-by-verse commentary focusing on exposition, and all this is wrapped up with a brief recounting of the message and application of the psalm.
Ross aims to help modern preachers and teachers to truly exposit all of the psalms in their entirety (not just a line here and there). He blends contemporary insights with gems of yesterday as he analyzes the Psalms and provides a very useful tool for the modern preacher. Ross with help from the team at Kregel, has crafted his tool to be most user-friendly. The font is large, there are helpful charts and diagrams, and clear section headings which break up the massive book. He uses footnotes throughout for more technical discussions, but chooses not to provide Hebrew transliterations as a rule, preferring just English translations and the Hebrew words themselves.
Ross’s approach sticks to the text and emphasizes linguistic study. He does comment on the use of the Psalms in the New Testament and is not afraid to mine the typological and messianic riches so often found in Psalms. Biblical theology, and intratextual allusions and connections are not featured prominently in his work. But his volume is a wealth of information for the busy pastor or lay teacher, and his care with the text is commendable.
I will be looking for volume three of this important set. I’m sure it will make a valuable addition to your church or home library. Pastors and students alike will want to pick up this resource and with Ross’s help unpack the riches to be found in the Hebrew Psalter.
Disclaimer: This book was provided by Kregel Academic. The reviewer was under no obligation to offer a positive review.
About Book Briefs: Book Briefs are book notes, or short-form book reviews. They are my informed evaluation of a book, but stop short of being a full-length book review.
Very few commentaries can function as a single comprehensive resource for the Biblical passage at hand. The wise expositor makes use of theological introductions, critical comments on the Greek or Hebrew, a good exegetical commentary and then a few devotional commentaries – of course he also makes his own personal study of the passage.
What Allen P. Ross does for us in his new book A Commentary on the Psalms: volume 1 (Kregel, 2012), is distill the insights of decades of research and study on the book of Psalms into a single tool that can truly be a one-stop-shop for the busy pastor.
Ross provides 180 pages of introduction to the book of Psalms, focusing on structure and theology. He then gives us more than 700 pages of commentary on just the first 41 psalms. Each psalm is covered separately, the text is provided with an eye for meaningful textual variants (which are discussed at some length). The psalm’s composition and context is then briefly sketched and an exegetical analysis is provided. Then comes a detailed commentary focusing on exposition, and all this is wrapped up with a brief recounting of the message and application of the psalm.
Ross aims to help modern preachers and teachers to truly exposit all of the psalms in their entirety (not just a line here and there). He blends contemporary insights with gems of yesterday as he analyzes the Psalms and provides a very useful tool for the modern preacher. Ross with help from the team at Kregel, has crafted his tool to be most user-friendly. The font is large, there are helpful charts and diagrams, and clear section headings which break up the massive book. He uses footnotes throughout for more technical discussions, but chooses not to provide Hebrew transliterations as a rule, preferring just English translations and the Hebrew words themselves.
When we have his entire three volume commentary (at least from reading the introductory material it appears this will be three volumes), we will truly have a single and comprehensive resource for what may be the most important book in all of Scripture. His approach is to stick to the text but not to shy away from reading the text in light of the context of the NT revelation as well (at a later stage in the interpretation). Even if in some respects one differs with Ross, he will still find Ross’s book immensely helpful.
Ross shows how vital the Psalms were both for Hebrew worship and that of the early church. Even in the Reformer’s era, intimate knowledge of the psalter was a prerequisite for anyone aiming to take up a pastorate. How far we have fallen from an age where psalms made up the bulk of corporate worship. May Ross’s work help revive a study and interest in the Psalms today.
Disclaimer: This book was provided by Kregel Publications. I was under no obligation to offer a favorable review.
About Book Briefs: Book Briefs are book notes, or short-form book reviews. They are my informed evaluation of a book, but stop short of being a full-length book review.
I’m reading through a new Christian Focus book entitled Singing the Songs of Jesus: Revisiting the Psalms by Michael LeFebvre. In this book, the author explains why singing the Psalms was so precious to saints through all ages, prior to the rise of the 18th century hymnwriting movement. LeFebre succeeds in making the Psalms come alive and in equipping the modern church with tools for recovering the use of the Psalms.
I wanted to offer an excerpt which has captivated me. LeFebvre describes the difference between singing to Christ, and singing with Christ. He avers that when Christians sing the Psalms, we are singing with Christ in a unique way.
Without further ado, I provide an extended book excerpt. For more, you’ll have to get the book!
In the Gospels, Jesus often took the Psalms to his lips as his own praises. He sang Psalm 41 as his own song: ‘My close friend in whom I trusted…has lifted his heel against me’ (Ps. 41:9/John 13:18). He sang Psalm 118, not as a common experience of God’s people but as his own experience as our true king: ‘The stone that the builders rejected has become the cornerstone’ (Ps. 118:22/Matt. 21:42). Jesus identified himself as the anointed king in psalm 110: ‘The LORD said to my Lord, “Sit at my right hand.”‘ (Ps. 110:1/Mark 12:36). In these and other examples, Jesus frequently showed himself to be the Son of David by taking the Psalms of David to his lips as his own songs (e.g., Matt. 27:46/Ps. 22:1; Luke 23:46/Ps. 31:5; John 2:17/Ps. 69:9).
In fact here is Jesus’ own explanation about his relationship to the Psalms of David:
As Jesus taught in the temple, he said, ‘How can the scribes say that the Christ is the son of David? David himself, in the Holy Spirit, declared, ‘The Lord said to my Lord, Sit at my right hand, until I put your enemies under your feet.’ David himself calls him Lord. So how is he his son (Mark 12:35-37, quoting Ps. 110:1)?
Jesus says that David wrote Psalms for a descendant who would be greater than himself — the coming Christ. In the Holy Spirit, David understood that his songs would ultimately be taken up by the Christ.
Peter makes a similar point in his sermon at Pentecost. Peter preached from a string of Old Testament texts, including several Psalms (Pss. 16, 89, 110, 132)…. According to Peter, David wrote the Psalms ‘knowing’ that God had promised the Christ would come from his line. And he wrote Psalm 16 ‘foreseeing’ the resurrection of Christ. The Psalms were born out of the experiences of David and his heirs, but David wrote with awareness of the coming Son of David who would ultimately take the Psalms to his lips as our perfect king and songleader.
From the beginning, the Psalms were composed for Jesus — as his songs. No wonder the New Testament church never set the Psalmbook aside. They took up the Psalms in great delight, singing in them with Jesus.
Let me offer a word picture to anchor this principle. Imagine that a friend of yours has invited you to a concert. A famous choir is in town, and your friend bought two tickets. As you slip into your seats in the concert hall, a one hundred voice choir lines the platform before you. And the music begins. The singing is superb. It could not be better. It is such a pleasant evening, you and your friend decide to return the next week for another concert.
The next week, you return to the hall and find the same choir singing again. This time, however, a world famous tenor is going to be on the platform with them. As you sit in the audience listening, you are entranced by the beauty of the soloist’s voice, surrounded majestically by the hundred-voice choir behind him. Perhaps you will come again another time to hear more.
What is the difference between these to, imagined performances? In the first, the audience is listening to the voices of a hundred singers. The song is the choir’s song. In the second performance, however, the audience is listening to the voice of one singer accompanied by a hundred others. But it is the one singer in front who stands under the spotlight. His song is being performed, and the rest join him in singing it.
In Christian worship, God is the audience of our singing. Many congregations today see themselves as that hundred-person choir singing to God. They imagine that they stand as a mass of worshipers, singing their songs of faith to him. That is the expectation behind modern hymns and praise songs. Modern hymns do not say, for example, ‘What a friend I, Joseph Scriven, have in Jesus.’ Hymnwriters compose songs for the congregation to sing as their song to God, with the song’s original author and his experience disappearing from view.
This is where the Psalms are radically different. The Psalms are composed for a use like the second performance imagined above. Our divinely appointed leader, King Jesus, leads our praise. Jesus sings his own songs in his own words (composed prophetically for him). They are his praises of the Father which he calls us, as his subjects, to join him in singing. Rather than disappearing from view, we are supposed to sing in conscious identification with Jesus as our Psalm leader, and with his experience of the cross and resurrection before us.
[emphasis added, from pg. 51-54]
Disclaimer: This book was provided by Christian Focus Publications. I was under no obligation to offer a favorable review.
Thomas Nelson, published this delightful devotional. The Gift of Psalms, is a book printed on special paper and with a deluxe smooth leather-ish cover. Included are three audio CDs with a reading from The Word of Promise Audio Bible coupled with a reading of the devotional thought from the book for that particular psalm.
The Word of Promise readings are from the New King James Version, which has a majestic quality about it when read aloud. The readings are done by various actors such as Sean Astin, Richard Dreyfuss, Joan Allen, and a variety of other names. The quality of the recordings are excellent, with some background majestic sounding classical music.
In the book, one page includes an excerpt from the psalm for that day, and the opposite page contains Lori Jones’ devotional. The devotionals focus on the theme found in the psalm for that day, but don’t hesitate to reference other Scriptures. At the end of each devotional is a short prayer in response to the reading.
The CDs include the entire Psalm, not just an excerpt, and fit nicely into the back cover of the book, in special slots. The book covers 50 Psalms, while the CDs cover 30. Even so, the book would make a great companion to a personal reading through the Psalms.
The only thing the book really lacks is a nice bookmark similar to what one would find in a Bible. It seems like it cries out for something like that, with each page being so glossy and thick, and with the fine finish.
This book is an excellent gift book, and I enjoyed reading it.
Disclaimer: this book was provided by the publisher for review. The reviewer was under no obligation to provide a positive review.
This book is still available for purchase at Amazon.com.
I’m currently reading through a new book from one of my favorite authors: O. Palmer Robertson. I’ve reviewed his The Christ of the Covenants and The Israel of God, which both were influential in forming my theology. My love for biblical theology certainly was kindled in part by Robertson’s works.
