Singing Theologically: Modern Hymns and the Atonement

Several years ago I highlighted the advent of the “Modern Hymn.” Keith Getty and Stuart Townend, along with others, have revived and reinvented the hymn for our generation. The most well known modern hymn, is perhaps one of the best: “In Christ Alone.” This song ranks up there with other greats and is as widely sung and loved today as “Amazing Grace.”

Timothy George, dean of Beeson Divinity School of Samford University, recently highlighted the refusal of the authors of “In Christ Alone,” to allow it to be slightly edited and thus included in a new Presbyterian (PCUSA) hymnal. George lauds that decision, since the proposed edit would take out the idea of Christ bearing God’s wrath for sin. Here is the proposed edit:

From: “Till on that cross as Jesus died / the wrath of God was satisfied.”

To: “Till on that cross as Jesus died / the love of God was magnified.”

George’s article, “No Squishy Love” was shared and discussed online and in print so much, that he has followed it up with a part 2, today. One of the places where his first article was discussed was Sharper Iron; and this most conservative of online evangelical blogs, was not even immune from those who argued against the idea that Jesus bore God’s wrath for sin. Truthfully the orthodox idea of Jesus bearing the punishment of our sin on the cross is facing hard times today.

The follow up piece by Dr. George, doesn’t back down from defending the satisfaction theory of the atonement, and it includes more historical insight on the question. In the piece, George also highlights another hymn with theological substance, “How Deep the Father’s Love for Us,” by Stuart Townend.

For my part, we should be glad that modern hymns are not as substance-less as some of the praise songs of the last few decades. Unadulterated joy and songs of intense emotion are needed, yes. But the didactic value of theologically rich hymns, which both move and instruct, is untold. May a new generation of hymn-writers pick up the mantle of Isaac Watts and continue to give the church faithful hymns for the next generation.

2 thoughts on “Singing Theologically: Modern Hymns and the Atonement

  1. Wow, I did not know that about “In Christ Alone.” Next time we sing that (and other songs) in church I really need to make sure the right words are used. The challenge here in Japan is that the Japanese translation needs to correctly capture the theological truth written in English. How to do that in the limited amount of syllables and musical pattern is a challenge and takes talent.

    1. That’s a challenge indeed. Perhaps they need you to write Japanese songs – and then translate them into English for our benefit too! 🙂

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